compendium of forgotten secrets awakening pdf download

Compendium of forgotten secrets awakening pdf download series#

Players could easily figure their dice pool and roll against the assigned difficulty rating. Skill levels were relatively low, ranging usually from one to five, and were represented with dots rather than numbers, which was the standard of its contemporaries. Skill values that determined the number of dice rolled had been used in games like Champions, but rather than add the result of the dice in total, Vampire compared the result of the dice with a fixed value to determine the degree of success or failure. Vampire 's system of 'comparative' dice pools drew on the mechanics innovated by Shadowrun, changing only the type of dice rolled from six-sided to ten-sided. įor the game's mechanical elements, Rein-Hagen turned to Tom Dowd, co-designer of Shadowrun (1989). This system proved very popular with players. The 13 clans added late in the development process provided a much-needed character class-like system based on vampiric archetypes. The vampires were given an extensive list of broad supernatural powers called disciplines, which included superior strength, speed, and toughness, as well as other powers such as mystic senses, mind control, and blood magic.

While the RPG industry in general had been trending towards a more narrative approach, Vampire was one of the first games of its kind to center on these things. Its content was also novel, as the game focused on plots, intrigue, and story as opposed to more straightforward dungeon scenarios. Its simple cover photo of a rose on green marble set the tone for the game and differentiated it from other games on the market.

Compendium of forgotten secrets awakening pdf download series#

It would also be the first of a series of linked games sharing the same game world. It was conceived as a dark, moody, urban fantasy game with a unique gothic feel that harkened back to TSR's Ravenloft. Vampire was notably new in many respects. Talking about that theme, the power of belief, fueled the second half of Vampire game design.' I was always fascinated by what made people believe so strongly when I didn't seem to believe at all. My father was a Lutheran minister, and I think that played a huge role in not only Vampire but the whole WoD series. The game and the world became about religion and belief. In an 'Ask Me Anything' interview on Reddit Rein-Hagen referred to the idea of Cain as the progenitor of all vampires as a 'big turning point.' He commented further: 'I was trying to shy away from religion. Inspired by a comic book given to him by White Wolf business partner Stewart Wieck, Rein-Hagen developed the idea that the cursed character of the Biblical Cain was the original vampire. Some of Vampire 's central themes of the power of belief developed out of Rein-Hagen's religious upbringing. He wanted to go beyond what Anne Rice had done by creating individual vampires, with a whole secret vampire society and culture. Rein-Hagen stated that he purposefully did not read Anne Rice's Vampire Chronicles until 'very late' in the development process but admitted she was probably an influence on the vampire films that inspired the game. Rein-Hagen felt that hunting vampires, as a game premise, would get boring, so he came up with the idea of a game wherein the players played vampires instead of hunting them. Vampire was inspired by role-playing games (RPGs) such as Call of Cthulhu, RuneQuest, and Nightlife, as well as the writings of Joseph Campbell and vampire films such as The Lost Boys.

In 1996, a short-lived television show loosely based on the game, Kindred: The Embraced, was produced by Aaron Spelling for the Fox Broadcasting Company. Several associated products were produced based on Vampire: The Masquerade, including live-action role-playing games ( Mind's Eye Theatre), dice, collectible card games ( The Eternal Struggle), video games ( Redemption, Bloodlines, Swansong and Bloodlines 2, Bloodhunt), and numerous novels.

It is set in a fictionalized 'gothic-punk' version of the modern world where players assume the role of vampires, who are referred to as 'Kindred.' and deal with their night-to-night struggles against their own bestial natures, vampire hunters, and each other. Vampire: The Masquerade is a tabletop role-playing game (tabletop RPG) created by Mark Rein-Hagen and released in 1991 by White Wolf Publishing as the first of several Storyteller System games for its World of Darkness setting line.